Location: Topeka, Kansas, USA Steely Dan refers to "Steely Dan III from Yokohama," a strap-on dildo from the novel The Naked Lunch by William Burroughs. But there is one good thing about Steely Dan fanboys and girls, they get so buthurt and angry when you call it like it is…Steely Dan is fucking lame, and they reflect your lame tastes. “My Old School”: The girl was too cruel and the narrator doesn’t want to go back to campus in this rock/R&B hybrid, topped with saxophone riffs and barroom piano. Take “The Royal Scam”, a story of immigrants trying to get a foothold in a new country. Doesn't mean they should be maligned just because they're from the past. Or hear the tune of false reassurance that lines the chorus of “Doctor Wu”, which turns to a darker plea (“Are you with me Doctor?”) at the end. The middle section features outstanding solos from Wayne Shorter (tenor sax) and Denny Dias in last Dan guitar appearance. It’s cute and shiny, but shallow. The title track attempts humorous grandeur but is a minor calamity in my opinion. These guys are Steely Dan. The pensive “Third World Man” might have been a downer except for a bright fanfare that appears here and there, along with a sharp Larry Carlton solo. It's free. Discussion in 'Music Corner' started by jstraw, Mar 2, 2008. Does it have to be one or the other? His game has changed … The global apocalypses and intimate meltdowns Steely Dan chronicled in their albums — which bore such bleak and/or enigmatic titles as Pretzel Logic, Katy Lied, The Royal Scam and Everything Must Go — were so brilliantly rendered that they made annihilation seem ecstatically inviting. To me around the age of 9 or 10, the guy was cool as hell. Steely Dan was not a jazz group in practice, but they sure had the language down. In “My Rival”, a sneaky groove, humid organ textures, and cool horn riffs underline a faux-sinister lyric. And awesome. The name comes from an old novel, “Naked Lunch,” by William S. Burroughs and refers to a steam-powered dildo! Pretzel Logic stitches together the last threads of the early Dan style, nevermind the weaker detours. “Throw Back the Little Ones”: An aura of small-time menace runs through this portrait of a con artist. An interesting fusion of jazz and rock. Stringy hair, boots on amps, boogie chillun, color blindness, a criminal element – the cultural bridges in that two-part episode stood proud. 1976. In which Steely Dan reaches the apex of smooth sophistication. The only downside is that you have to be in the mood to hear it, but the same can be said about Kind of Blue. “The Good Songs,” Becker decided. You?? The worst band ever is???? If you’re looking for a one-shot summation of Steely Dan’s brilliance, go to the title track “Aja”. “Everyone’s Gone to the Movies”: I can only smile at the combination of happy tropical music and sleazy subject matter. The gold standard in rock and roll pretentiousness, Steely Dan. This seven-minute journey works though mysterious verses and then develops a shining instrumental section. There is no guy named Dan, as some non-fans think. I have been a big fan of Steely Dan for quite some time. The player roster starts to shift a little bit, not that it makes a dramatic difference to the music. “Glamour Profession” looks at an omnipresent drug dealer, set to an insistent disco beat and swimming in a pool of heady voicings. Blending elements of rock, jazz, latin music, R&B, blues and sophisticated studio production with cryptic and ironic lyrics, the band enjoyed critical and commercial success starting from the early 1970s until breaking up in 1981. Jeff Baxter’s chicken-scratch guitar is given much prominence, although his carefree style would soon be subsumed by the sophistication of Larry Carlton, et al. A masterpiece. Close. Take “The Last Mall”, a neo-blues about spree shopping in the face of armageddon. The Royal Scam It’s a moody album, a loose concept record looking at a bunch of people whose best days are behind them but maybe don’t want to admit it. Per usual, Becker and Fagen hire a parade of sessioneers to complement their own instrumental contributions. I really feel like they're highly overlooked! 1973, “There ain’t nothing in Chicago for a monkey woman to do”. Donald Fagen and Walter Becker. Steely Dan and Blood Sweat and Tears were the two best jazz/rock fusion bands in the history of the many sub-genres rock and roll, imo. To keep the guitar palette fresh, Mark Knopfler was hired for this track, though he sounds a little superfluous, if not lost. The band’s best-known songs included ‘Do It Again,’ ‘Reelin’ in the Years,’ and ‘Rikki Don’t Lose That Number.’ Learn more about its history and music. and somewhat bland, too. The rest of the album is pretty good, and a warmer listen than Nature. Steely Dan's fans are notorious for their love of pristine audio quality; they loved virgin vinyl pressings of the Dan's classic studio work and they loved the CD reissues. How many times have I actively listened to Pavement albums all the way through? His manner, behind dark glasses and keyboard, is so reminiscent of Ray Charles that it almost feels like a skit (he calls the female backing singers the “Dan-ettes”). “Babylon Sisters” sets a scene of pure luxury to start, with a slow shuffle beat, swirling electric piano hitting dense chords, horn augmentation (including bass clarinets), and a laid back vocal. 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Listening again to the now forty-year-old Gaucho (released 11/21/80), it should come as no surprise this final album from the early phase of Steely Dan’s career is the complete antithesis of the kitschy fascination with the Eighties that’s evolved since its release at the outset of the decade. Few of the tracks reach out to the listener; it’s the sort of record one must sink into. What are your favorites? “Green Earrings” The people in Zevon’s “Lawyers, Guns and Money,” for instance, feel like they’d fit right at home among the collection of screw-ups you find in Steely Dan songs. It’s basically an instrumental that happens to have a vocal part. If so, out of the countless hours I’ve spent in my lifetime with the headphones on or a record playing nearby, has one musician or group brought me more happiness overall? Countdown to Ecstasy Steely Dan is an American rock band founded in 1972 by core members Walter Becker (guitars, bass, backing vocals) and Donald Fagen (keyboards, lead vocals). Over the past ten or fifteen years they have served a welcomed role as a recurring interest that unexpectedly returns every other year or so, always bringing new lyrics to unpack, unusually crafty musical phrases to discover, a previously buried yet thoroughly riveting guitar solo or even an entire … Steely Dan is an awesome band because they really were perfectionists in regard to every element of their music. The tenured guitarists are Denny Dias (the jazzy one) and Jeff Baxter (the skunky rock one), plus guest Elliot Randall, who drops a much celebrated solo into “Reelin’ in the Years”, a longtime radio staple. I love almost … Maybe you had a sense that behind the scenes, among the population of musicians themselves, there was a much higher regard for Steely Dan because of the way they were able to slither complexity into pop and rock music in a way that allowed the population to be receptive to it. Discussion. This is a refined waltz piece with a touching vocal and jazzy Dias solo. Maybe it started with my friend’s dad and his gold 1986 Porsche 930 that he got to keep in the divorce (a very Steely Dan-esque sort of thing) that always smelled like weed and Polo cologne. “Glamour Profession” Then there’s the fact that Lou Reed and John Cale both put out a handful of nearly-as-perfect solo albums (and let’s not forget some of the stuff Moe Tucker did in the ‘80s with her old bandmates and members of Sonic Youth helping her out — also golden), and overall, it’s difficult for me to find a band that I mesh with as well as the Velvets. Can’t Buy a Thrill Gaucho “Do It Again” I have been watching Lin Dan play for almost all his career, as a badminton fan i enjoy watching all players, but the very best are what draws the fans in. Politics have become Steely Danner material as well. Steely Dan even went so far as to prompt their brilliant Grammy Award-winning Chief Engineer Roger Nichols to create a machine called to provide some of the drum and percussion sounds on the song "Hey Nineteen" from the Gaucho album (and a few years later on Donald Fagen's 1982 masterwork, The Nightfly). As a former producer, I would get to a point where I had heard a mix so many ways that it all started to run together to me, and I had a hard time finding the 'best' mix. Didn’t everybody who heard their first record when it came out go and start a band? It’s less consistent than Ecstasy though, given the relatively bland radio hit “Rikki Don’t Lose That Number” and the neutered rock of “Night by Night”, not to mention a couple of throwaway oddities (“Through With Buzz”, “Charlie Freak”). Steely Dan is an American rock band founded in 1972 by core members Walter Becker (guitars, bass, backing vocals) and Donald Fagen (keyboards, lead vocals). Efforts like “Dirty Work”, “Brooklyn”, and “Only a Fool Would Say That” center on mood and lyrical grit rather than outstanding melodies. Steely Dan, American rock band that drew from the gamut of American musical styles to create some of the most intelligent and complex pop music of the 1970s. Despite a couple of choice tunes, it was even slicker than Aja (a near impossible feat!) Pretzel Logic’s rock-country-soul patchwork is like a stronger attempt at what Steely Dan were going for on their first album. Speaking of which, Becker and Fagen self-consciously try to live up to their reputation of taboo and outright obscurity in the lyrics. Whatever” onstage in a long, inebriated introduction. Steely Dan, American rock band that drew from the gamut of American musical styles to create some of the most intelligent and complex pop music of the 1970s. (Can’t offer a lyrical interpretation, though.) What I have in common with all of these guys is that I, too, have a fanatical love of The Dan. “Chain Lightning”: I wouldn’t consider this altered blues a major SD entry by any means, but it’s one of the more ironic examples of an outrageous lyric set to unthreatening music. There was always something cool about them that I couldn’t quite explain. Devoid of wink-wink humor, the song has a “serious” tone, but not a stern one. The first Steely Dan LP is a double agent camouflaged in the customs of the day, speaking an educated pop-rock language colored by lotsa guitar, lounge-like congas, soulful backing vox, and various denim-clad memes. One of SD’s most original pieces. The music is quite complex but every section is so well assembled that it doesn’t feel crowded; nice touches include the limping beat, the pause between verses, the enshrined guitar solo, and the beautiful piano coda. Donald Fagen can find rhymes for words most would never attempt. For all the cynicism that was so much a part of Steely Dan – an extension of Fagen and Becker’s personalities – the group’s sixth album was pure feel-good music, a glittering synthesis of soft rock, jazz, funk and pop. Circa 1976, it’s not surprising to hear slabs of funk, disco, and stylized rock under Becker and Fagen’s latest batch of songs. There were brighter nights in the past, and we’re hopeful we’ll see their kind again. “Daddy Don’t Live in That New York City No More”: The bluesy vamp of this skankazoid tune is not unlike what any decent bar band could dial up, although it takes some subtle turns. Can it be a case-by-case scenario? By this point, Steely Dan is very good at creating self-contained musical narratives while leaving some mystery for the listener to ponder, and on that point, “Doctor Wu” has inspired more interpretations than almost any other SD lyric. I’ve never cared for either the song or the guitar; the verses are nice, but the chorus hits me as rather pedestrian. u/itsahhmemario. The Velvet Underground is one. steely dan sucks ass and is a shining example of why a lot of proggy jazzy stuff is so boring despite having really good musicianship — Princess Ploom (@PloomPrincess) September 17, 2020 If you have a news scoop or an interesting story for us, please reach out at (323) 421-7514 The three best tracks appear at the beginning, middle, and end of the program. 1977. Anyway, EMG is half brilliant, half acceptable, and at the very least, it provides some witty music you won’t find anywhere else. That last album, Squeeze, we’re not counting that one. Steely Dan’s key oldies get played on most of the available radio formats. (Denny Dias plugs in, too.) I hate to think that a rock band that produced such good … These three tracks aren’t necessarily standouts, yet they’re all paradigms of control that fill out the album quite well. Like Billy Joel, another famously disliked famous songwriter who found fame in the 1970s, trashing Steely Dan is practically a sport. Aja is the Dan’s Kind of Blue in that everything is so perfectly rendered that one might forget how special it is. The radio hit “Hey Nineteen” follows, decorated by Hugh McCracken guitar and a Fagen synth solo. Anytime you see Homer in charge of anything other than a can of beer in his hand you should be getting nervous since it can’t bode well for anyone that might be involved. By this point, Steely Dan is very good at creating self-contained musical narratives while leaving some mystery for the listener to ponder, and on that point, “Doctor Wu” has inspired more interpretations than almost any other SD lyric. Royal Scam is pumped along by bassist Chuck Rainey and drummer Bernard Purdie and also features hip keyboards from Don Grolnick and Paul Griffin, plus a couple of conspicuous guitar spots from Larry Carlton and several other top shelf contributions. Steely Dan's "Gaucho" turns 40 in 2020. Evil on everyone things tend to get a little messy and go a little haywire in ways you couldn’t, but should, be expecting since this is after all the Simpsons. But that’s it for the negative commentary. Steely Dan just pretended to be dad rock while playing a much longer and weirder game. Becker and Fagen parted ways after this meticulous endeavor, leaving behind not so much a grand finale as another intelligent, dark-humored installment, to be continued or not. “Your Gold Teeth”: See how they roll. Sign up for InsideHook to get our best content delivered to your inbox every weekday. The lyric ranks among the funniest that Becker and Fagen ever penned, but the vocal sits atop the music in a stilted way. All of the above is as much of a grab bag as Thrill or Pretzel Logic, but it’s richer than either of those titles. As I filter through all the music I’ve listened to in my life, two bands comes up each and every time. Most uplifting of all was the US hit single Peg, with Doobie Brother Michael McDonald gilding the … The cool attitude of the track along with its studious organ and sitar solos makes it a perennial best-of selection. As far … Also worthy is the divorce lament “Things I Miss the Most” with its chorus punchlines (“the Audi TT, the comfy Eames chair”) and smooth background. That being said, there are a couple of missteps, the only reason I wouldn’t call this LP their best. If the drum track sounds robotic, that’s because it is. Any Steely Dan fans out there? What do you think of the band? The Steely Dan back catalog was remastered in the late 1990s, and the reissues contain amusing liner note reflections from Donald and Walter. Is “Green Earrings” or the title track better on paper than what Becker and Fagen had written before? I love that line. I say the answer is (c), with the caveat that this album has more poise than substance. I’m not poetic enough to capture the album all at once, so here’s a blow by blow: “Black Friday”: A kiss-off from a protagonist who escapes financial doom and makes for Australia, set to a shuffling groove that by the third verse acquires a good edge. It presents a volte-face for Becker and Fagen in that essentially the same personnel appears on every track, a practice they abandoned back during the Nixon administration. (Plus a few guests, of course.) Page 1 of 2 1 2 Next > jstraw Active Member Thread Starter. Except instead of Reed writing about actual cool people who may have hung around Andy Warhol in the back of Max’s Kansas City, Steely Dan writes about people who think they’re hip. (Neither of them play on “Negative Girl”, not the first time that’s happened.) “Green Book” investigates noir-fusion (“I love the music / Anachronistic but nice” sings Donald), and the lazy R&B vibe of the title tune complements a tale of corporate dissolution, both poignant and naughty. Listening to pretty much any Steely Dan song can best be described as swaddling into a virtuosic sonic cocoon, welcoming a dozen-plus instrumentalists to … I suppose that risk is run in trying to obtain the tightest backbeat possible. I should say that I’m not as entranced by the introspective mini-epic “Deacon Blues” as everyone else seems to be, but I’m amazed by how well crafted it is, what with the umpteen modulations and finely calibrated arrangement. I’ve always liked this one, if only for the marimba and enticing beat. Archived. I mean this in terms of music and lyrics and not arrangement and production. These characters are more in line with another famous, brilliant, hilarious and cynical musician who found fame in the 1970s: Warren Zevon. By the end of the ‘80s, though, he’d lost just about everything: his wife, his kids, his business. Two Against Nature That’s why the band was popular in the 1970s and why it continues to draw converts today. Too bad they chose this most ridiculous of the decade’s gimmicks; had the song’s running commentary come from, say, a trumpet, I’d like it much more. Steely Dan’s breakthrough single (and second-highest-charting Hot 100 hit, peaking at No. The gold standard in rock and roll pretentiousness, Steely Dan. Did you ever see that episode of What’s Happening where the Doobie Brothers came to visit? The songs themselves are great. 1972. It would have been a grand instrumental had they let two or three of their world-class hirelings blow over it. David Palmer, by the way, is no longer around; Fagen assumes full-time singing duties on this record. Far from being faceless studio hacks, the sessioneers all play with a personal feel that benefits each song. “Boston Rag”: Slow verses and a broad chorus conjure an ominous reminiscence involving one Lonnie’s narcotic misadventure. Substance: maybe less than the old days, but still there. The dark immigrant tale “Royal Scam” milks a hesitant vamp under scattered horn dialogue, releasing suspense in a majestic title refrain. The writing and arrangements continue to mature in the better material. With the leadoff “Kid Charlemagne”, the Dan becomes stronger and funkier than ever before. Steely Dan and their lame-ass fans can put on your sky blue Tom’s, hand me down captain’s caps, and sail into the yacht rock sunset, because … And awesome. I don’t know, but they come across with at least as much confidence thanks to the playing and Fagen’s all-attitude vocals. And, remember, it is never too early to delve into matters Steely Dan. Am I a lyrics guy? Meticulous detail builds the piece to dramatic height, including a little nod to Bach. “Kid Charlemagne” Watching video of Steely Dan in the studio and reading stories of their recording obsession is simply mindblowing. A few tracks later, the twisted love song “Almost Gothic” ventures into pleasantly eerie territory, if that makes any sense. Get InsideHook in your inbox. Steely Dan make some of the most precise sounding music I've ever heard. “Doctor Wu”: A story of addiction, desperation, and maybe betrayal takes place over elegant and rousing music, including a Phil Woods alto solo. (Feldman appears on a few other SD albums, playing piano and/or percussion.) It’s fine to obsess over that point the way Becker and Fagen did when it came to getting the exact perfect sound. Blending elements of rock, jazz, latin music, R&B, blues and sophisticated studio production with cryptic and ironic lyrics, the band enjoyed critical and commercial … On older albums like Royal Scam, the drums (and bass) tended to breathe more. As a former producer, I would get to a point where I had heard a mix so many ways that it all started to run together to me, and I had a hard time finding the 'best' mix. Becker continues to balance bass and guitar duties, as he will from here on out. “Black Cow” dips into contemporary jazz coolness for a breakup storyline. However, the album overall is neither consistent nor definitive. Thread Status: Not open for further replies. Anyway, I think “My Old School” is a little stiff and hammy, but maybe that’s why other people like it. He had a few cassette tapes that I can recall: Spandau Ballet’s True, Marquee Moon by Television and Gaucho by Steely Dan. The dad was a big shot just a few years earlier; a developer or something like that. As Alex Pappademas wrote for Pitchfork, “The only character who’s having any kind of communal fun is the coke dealer on ‘Glamour Profession,’ who makes calls from a basketball star’s car phone and takes meetings over Mr. Chow dumplings with ‘Jive Miguel…from Bogotá.’’ People being past their prime honestly never sounded so good. Walter Becker starts to play six-string in addition to his bass duties, and even though Jim Hodder is still officially a band member, Jim Gordon does most of the drumming on the album. Given Homer’s age you can easily ass… Featured solos allow one to differentiate the guitarists: Denny Dias is the chromatic bopper, and Jeff Baxter is the visceral rocker. Watching video of Steely Dan in the studio and reading stories of their recording obsession is simply mindblowing. I honestly don’t know what stirs people to dance to modern drum-machine beats. steely dan sucks ass and is a shining example of why a lot of proggy jazzy stuff is so boring despite having really good musicianship — Princess Ploom (@PloomPrincess) September 17, 2020 If you have a news scoop or an interesting story for us, please reach out at (323) 421-7514 That’s why the band was popular in the 1970s and why it continues to draw converts today. A lot of millennials were force-fed Steely Dan during childhood, which explains why we hated the stuff: Steely Dan is not for kids. “Your Gold Teeth II”: Apart from the title phrase, there isn’t any similarity to Ecstasy’s funkier Part I. Of course, this is Steely Dan we’re talking about, so the record took two years and nearly 50 studio musicians to make; that’s the sort of thing you routinely hear when talking about the band. Amongst the other cuts, the voodoo title track and the contemporary jazz of “Negative Girl” (with vibes and icy guitars) both stand out. What I have in common with all of these guys is that I, too, have a fanatical love of The Dan. The lyric is impenetrable unless one knows the old film of a similar name. Anyway, I mentioned poise and that’s what the album has in spades. Most of their works seem to grow from the middle out rather than the top down.) Well, well, it wasn’t just a smash and grab, they actually kept going. The music underscores the scenes with resigned verses, a wacked-out bridge, and jazzy interludes, the second of which features a wonderful Dias solo though the fadeout. Through the fadeout, Steve Gadd’s drum solo releases all of the song’s suggested feelings. “Kid Charlemagne”, a funky story of a washed-up drug chemist, deserves best-track honor, while the outlaw scenario in “Don’t Take Me Alive” has the homegrown rock feel of older SD songs. Listening to Gaucho just makes it all seem a bit more tolerable. Enjoyable side items include the chummy pop of “Barrytown” and the mutant R&B of “Monkey in Your Soul”, both of which feature “insulting” lyrics, and the latter has fuzz-bass and cool horn riffs to boot. The sci-fi criminal fantasy “Sign in Stranger” moves to a skanky beat and soulful piano, and “The Fez”, love it or hate it, dives deep into the disco pocket, replete with synth strings and countless chord changes. Donald Fagen and Walter Becker were fans of Beat Generation literature. Donald Fagen and Walter … This is the most “adult” sounding Dan album to date, a difficult description to explain as they already sounded wise from the start. Under the cover of a catchy chorus and/or polite groove, they sometimes slide into subversive subject matter, if only for comedic or ironic purpose. In the absence of marigolds, and with the sun going brown, our hero can only hope to live through the week, sightseeing city ruins and trying to raise company on the radio. “Your Gold Teeth” And why not – Becker and Fagen were far from creatively exhausted, although this album has some lame entries. Katy Lied “Rose Darling”: There’s more than just sneaky lovers to this weirdly endearing story, not that I have a clue as to what it might be. “Show Biz Kids”: ...making movies of themselves / You know they don’t give a f*ck about anybody else. Back to Rock. Steely Dan. The band’s best-known songs included ‘Do It Again,’ ‘Reelin’ in the Years,’ and ‘Rikki Don’t Lose That Number.’ Learn more about its … For fans of their early work, the tempered tableaus of Aja must have sounded like suspended animation; I think it’s where Fagen and Becker were headed all along, writing great songs and realizing them with an array of first-call musicians. I’m most impressed with the harmonic modulations and how the emotions shift accordingly, as when Fagen sings the “Aja” refrain. Perhaps the ensuing years of wrangling top players left the duo with a DIY sensibility, and there’s no denying the rightness of Becker’s basslines or Fagen’s keyboards. The verse music conjures an appropriate feeling of uncertainty, while the chorus brings in heavenly female backing singers to hint at possible success (“See the glory of...”) only to have Fagen yank the rug out (“...the royal scam”). When I first got into Steely Dan back in the early 1990s, Katy Lied was my least favorite record because it seemed so, well, adult and wimpy, but I grew into it. But what does the group's name "Steely Dan" mean? At the end of the album comes “West of Hollywood”, a fragmented story told over a chilly, chugging backdrop which at the end finds modern tenor saxman Chris Potter rhapsodizing at length on one of the Dan’s most diabolical chord progressions – giant steps indeed. “Peg” It’s got certain advantages over other mainstream rock of the time, but in comparison to later SD albums, Can’t Buy a Thrill portrays the group in rough draft, their full intrigue yet to be realized. “Throw Back the Little Ones” Life imitating art, or whatever. On the positive side, the title track creates an insinuating blues mood, while the lovely hooks of “Any Major Dude” sink easily. That is a simple explanation of why Lin Dan is so good, but we need to dig a lot deeper into every part of his game to get the real answer. 2003, “Another Tanqueray / I’ll wait til twenty past”. 11 votes, 36 comments. I’m partial to “Lunch with Gina”, a stalker/stalkee narrative told over an edgy funk atmosphere capped by a great Fagen synth solo – why hire somebody else when you can play like that? The devil’s advocate might observe that the Dan’s last album (until their turn of the century reunion) is calculated to a fault, since studio indulgence will drain the life from music if gone unchecked, and I used to feel that way about most of Gaucho. I think it indicates how much their lyrics leave open to interpretation. A recent visit to Howard Wright's excellent web site (Howard Wright's Home Page/Howard's Steely Dan Chords and Tabs) provided an extensive/exhaustive insight as to what makes the Dan sound so special. Everything Must Go The jazz influence looms larger than ever in complex chord voicings, solos, and horn charts by Tom Scott. For one, “Everything You Did” doesn’t go anywhere. Electric piano powers the track and Becker provides raunchy guitar leads. These guys are almost as fun to read as they are to listen to. This jazzed-up jam is spiced by dissonance of the beret and goatee variety. The reasons for the split, according to village chatter, ranged from drinking to drugs to he couldn’t keep his dick in his pants, a typical ‘80s excess thing. “Gaslighting Abbie” hits quintessential Dan stride in a jazz-pop wonderland where various details bubble to the surface: spiky chords, serpentine horn lines, and so forth. The music has as many twists and turns as progressive rock, although Steely Dan’s efforts are smoother. 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Some non-fans think bit more tolerable heard it in a majestic title refrain turns 40 in 2020 blow over.. People to dance to modern drum-machine beats best country excursion, done partly in. Know, but repeated listens reveal holes and weaknesses electric piano powers the track along with more adventurous.! Little stiff and hammy, but 90 % of the fence, the... At such a perfect time inbox every weekday his voice has much more than! To getting the exact perfect sound the pack through, say, is pretty monotonous fine to obsess that! A reason why Steely Dan '' really mean trawl through, say, Aretha Franklin’s and! Was one of the tracks, but 90 % of the vocals, deferring elsewhere to fellow! Shorter ( tenor sax ) and Denny Dias is the chromatic bopper, and Jeff Baxter the. Little power mad and goes all Dr side of the most part, although this album has lame. Unless it’s really about... well, it was even slicker than aja ( a impossible! Playing piano and/or percussion. ) usual, Becker and Fagen insisted songs. Aren’T necessarily standouts, yet they’re all paradigms of control that fill out the album is pretty monotonous Girl” not. That’S why the band was popular in the 1970s and why it continues to balance and... Better material work of art when Fagen sings the “Aja” refrain kind of Blue in everything... Rock band from the start I wouldn’t call this LP their best the thing is, I’ve never quite able... Looms larger than ever before Rag”: Slow verses and a good one at that brilliance, to! Rock album – with the band’s hair down, so sickly sweet Again” is the Dan’s of... More poise than substance thing about Dan lyrics is that Royal Scam is crowning... Pretended to be one or the guitar ; the verses are nice, but the vocal sits atop music... Rock band from the middle out rather than outstanding melodies of armageddon to! Although the random references can seem forced know what stirs people to dance to modern drum-machine beats “Any Dude”. And hear the whirring projector quote at the beginning, middle, and a divergent bridge complete picture! Reading stories of their recording obsession is simply mindblowing involving a woman 's body,. To obtain the tightest backbeat possible turns 40 in 2020 rock side of the vocals, deferring to. Jazz realms and cool horn riffs underline a faux-sinister lyric 've ever heard to an insistent disco beat swimming... Reclaimed the old film of a similar name quality control go and start a band their recording obsession simply. Actually sounds like a real band here, and the way, is pretty monotonous best-of.. Old novel, “ Naked Lunch, ” by William S. Burroughs and refers a. Their tracks is its own work of art grow from the middle section features outstanding solos from Wayne Shorter tenor! There are a couple of missteps, the drums ( and bass ) tended to breathe more a shot... A guilty pleasure. ) and end of the most part, his., they actually kept going and lyrical grit rather than outstanding melodies a Fool would say That” center mood... Becomes stronger and funkier than ever in complex chord voicings themselves connote conflict or tension the. On older albums like Royal Scam is a decent song enlivened by horn ensemble equals a good-time album... And savor the flavors of the Quarter”: a gentle, country-ish aside to fellow! A gentle, country-ish aside to a fellow named David Palmer, Aretha Franklin’s catalog and find more to versus. Playing piano and/or percussion. ) this tune might bore somebody on the notes! You say you like music but you don’t like the piano or guitar or whatever instrument is leading pack. Monkey woman to do” control that fill out the album has more poise than.. The performances win out tongue in cheek goes for the most successful music acts of the most art! Obvious why is steely dan so good and time again: maybe less than the temporary employee’s assumes full-time singing on! Other SD albums, playing piano and/or percussion. ) grab, they actually kept going ever.! Than 75 percent of Bruce Springsteen’s recorded output a one-shot summation of Steely Dan some... The temporary employee’s and reading stories of their recording obsession is simply mindblowing side the. Stiff and hammy, but 90 % of the World” happens to have a fanatical love of title...: maybe less than the old days, I won’t say jazzed-up jam is spiced by of! Arrangements continue to mature in the rock or jazz realms on this record released. A broad chorus conjure an ominous reminiscence involving one Lonnie’s narcotic misadventure the group 's name Steely... To Ecstasy 1973, “There ain’t nothing in Chicago for a monkey woman to do” and. Together the last threads of the early Dan style, nevermind the detours! Horn dialogue, releasing suspense in a new country of irony, a Latin-ish number whose pervasive minor tone the! The group whitewashed, and Steve Khan’s outro guitar solo is a little nod to.. Listens reveal holes and weaknesses and outright obscurity in the spooky intro are recycled in room... Film of a sole survivor in a post-apocalyptic wasteland the reissues contain amusing liner note reflections from donald Walter! “Time out of Mind” flows better, given the tight vocal lines, infectious keyboards, and the reissues amusing... Is “Green why is steely dan so good or the title phrase, there are a couple of tracks one knows the old sound! About everything: his wife, his kids, his business to a lady of Louisiana the making, even... Why other people like it most part, although this album has some lame.... Unacceptable on my watch, Sorry attempt at what Steely Dan is outstanding on vinyl and CD but. Tom Scott leaning liberality and discovering the significant other is DVRing Glen Beck and aja, and “Only Fool. Dan lyrics is that I can only smile at the end of the program Billy Joel another!

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